
Related: Why Ubisoft Won't Scrap Assassin's Creed Spin-Off Skull & Bonesĭa Vinci also constructed Altaïr's Hidden Gun for Ezio, which allowed him to eliminate targets at range, albeit in a much more conspicuous manner. The poison would also send the target into a rage, attacking other enemies and creating a distraction. The Poison Blade had the added benefit of being even more inconspicuous than a Hidden Blade, since the delayed effects of the poison allowed the user to leave the vicinity before the victim succumbed. These included the Poison Blade, where a Hidden Blade was hollowed and filled with poison.

My thanks to Osprey Publishing and IPMS/USA for the chance to review this great book.Though Altaïr is canonically responsible for many more upgrades to the Hidden Blade, some of his more specific modifications used in later games were products of Assassin's Creed II's prominent historical figure, Renaissance man Leonardo da Vinci. If this is your initial entry into this series, you will be quite pleased. If you own one the previous releases in the Weapon series, you know what you are getting. I was able to read the book easily over a few nights. Mike Loades provides a very readable text that is well supplemented with photographs and illustrations from Peter Dennis. Variants of this repeater could fire two bolts simultaneously and remained in use in China into the 1950s. A low cost weapon, it typically carried ten bolts, although some variants carried up to 15 bolts. It used a large lever to draw the string back to allow a bolt from the magazine to drop into position. Essentially a short range defensive weapon, it was light enough that even a woman had enough strength to operate it. I found the section on the use of the Chinese repeating crossbow quite interesting. I really appreciated the structure that Mike Loades utilized, starting with the individual components and accessories that really covered a broad range of crossbow utility.
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Mike Loades covers the development and use of the crossbow in this latest Weapon series tome from Osprey. Peter Dennis contributes the four battle scene color paintings, including one that is a two page spread. I counted 51 color photographs, eleven color illustrations, and 21 black and white drawings. This crossbow features a steel lath that has been blackened, covered with gilded parchment, and painted with red floral motifs. The top of the front cover features a photograph of a 15th century crossbow from The Wallace Collection in London.

Osprey’s 61st book in the Weapon series is a square back soft cover includes 80 gloss paper pages. Peter Dennis is also afflicted with the modeling bug and is a keen war-gamer terrorizing other war-gaming aficionados near Snowdonia Nation Park in North Wales.

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Peter studied at the Liverpool Art College and has been working as a professional artist and illustrator since 1991. Born in 1950, Peter Dennis is an accomplished illustrator having contributed hundreds of books, including many Osprey Publishing titles. It illustrates crossbowmen in action during a castle siege circa 1200.

The cover painting by Peter Dennis is a clip of the painting that appears on page 55 in the book. He is the author of Swords and Swordsmen (2010), The Longbow (2013) and The Composite Bow (2016). He has several DVDs available: Archery: Its History and Forms (1995), and Going Medieval (2014). One of his recent projects was the movie, Assassin’s Creed, which ended up grossing over 241 million against a 125 million budget. You may have seen his work on the History Channel or on National Geographic. Mike founded the first horse archery club in California, the California Centaurs. Mike Loades is a respected author, broadcaster, director, and action arranger who has made numerous television appearances as a historical weapons expert and military historian.
